THE SITCOM
by Unattributed
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the sitcom
episode 9: "evaru ekkuva close?"
== cold open - budjee mama calling ==
5 panels before the title engine: Bujji Mama's unsolicited
calls
int. boys H.Q - morning
[C.1] Boys H.Q, morning. Suraj's phone rings. He looks at it.
He does not pick up.
[C.2] It stops. Beat. It rings again.
[C.3] He picks up and holds it eleven centimetres from his
ear, which turns out to be correct.
BUJJI mama
(phone)
suraj. AA arch ekkada pettavu.
[C.4] Suraj, patiently:
suraj
Nenu arch pettaledu mama.
BUJJI mama
(phone)
appudu evaru pettaru.
suraj
Meere pettaru.
BUJJI mama
(phone)
sare. (hangs up)
[C.5] Suraj lowers the phone and looks at it for a long
moment.
suraj
Vaadu naaku roju cheysthadu. Naaku matrame.
(He says it as a complaint. It is not a complaint, and
everyone in the room knows it.)
narrator (V.O.)
evaru ekkuva close?
ext. kopitam - evening
[1] kopitam. Saturday evening. The recurring wide, the
fixed bench order - but four, not five. Jay's place on the
bench is empty. Seth ji at the counter, not looking up.
Ravi anna crossing with glasses.
narrator (V.O.)
Saturday. Nobody had anywhere to be, which is
the most dangerous condition this group can
be in.
[2] Suraj holding forth about something. Kicha
half-listening, filming the table out of habit, phone
propped against a glass. Aishwarya on her phone.
[3] And Anudeep - a little apart, lips moving, having a
conversation with nobody.
[4] Kicha clocks it.
KICHA
Rey. Em ayindi. Edo alochisthunnav.
[5]
anudeep
Monday interview kada. Prep avuthunna.
suraj
oh. Aa consulate vaadu general em adugutadu
ra?
anudeep
Basic stuff. Ee questionnaire lo ne undi.
[6] He slides a folded printout onto the table. A visa
mock-interview question sheet. Suraj picks it up like a
menu.
[7] And Aishwarya takes it out of his hand, reads one line,
sits up straight, and becomes a consular officer - flat,
bored, faintly hostile, instantly.
aishwarya
Sare. Mr. Anudeep. Why are you here today?
[8] Anudeep, caught off guard, actually answers it
properly, because he cannot not.
anudeep
I'm here for my F-1 visa interview-
aishwarya
(cutting in, deadpan) Louder. Consulate lo A.C
sound ekkuva.
[9] Suraj and Kicha pile in, because a bit is a bit and
this one has a uniform.
suraj
(as a second officer, sternly) Madam
adigindi. Louder.
KICHA
(a third officer, filming) Idi record
avuthundi sir.
[10] Aishwarya runs the sheet properly for three questions
- funds, university, plans after - and Anudeep answers all
three cleanly, because he has rehearsed all three for six
weeks.
[11] And then she goes off-script. She puts the sheet down.
She leans in. The slyest thing she does all episode:
aishwarya
Sare. Off the record.
aishwarya
Hyderabad lo nee favourite person evaru?
[12] Anudeep opens his mouth. And takes a long pause. Too
long.
[13] Suraj's hand comes up. He has spotted something better
than the game.
suraj
Aagu aagu aagu. Asalu nee favourite eppudu
cheppaledu.
[14] (⭐ The question escapes the visa bit and becomes the
episode. Nobody planned this. Suraj just found a loose
thread and pulled.)
[15] Aishwarya, delighted, turns it into a rule.
aishwarya
Okkokkaru cheppali. Ee group lo - evaru
evariki close?
KICHA
Idi manchi question kaadu ra.
aishwarya
Anduke manchi question.
[16] wide. Four people at a bench. A question on the table
that nobody should have picked up. Kicha's phone, propped
against a glass, red light on.
[17] the round. Fast, and everyone answers exactly in
character.
suraj
Easy. Kicha.
KICHA
(instantly, without looking up) Obviously
Suraj.
[18] Suraj is visibly moved. Kicha did not say it to be
kind; he said it because it is obvious; and that is somehow
worse and better.
[19] The question comes to Anudeep.
[20] He goes blank. Genuinely. Not coy - blank. Four faces
waiting.
[21] Aishwarya, saving him without meaning to, answers her
own:
aishwarya
Jay.
[22] Beat. Four people at a table.
[23] And all four of them realise, at the same moment, the
same thing.
suraj
…Jay ekkada ra?
KICHA
Jay group lo undi kada.
aishwarya
Jay eppudu undi. Manam marchipotaam.
[24] (⭐ The cruellest small joke in the series and nobody
says it out loud: they forgot the quiet one was in the
group while listing who's closest to whom.)
int./ext. the building - night
[25] the raid. All four of them up the stairs to the
penthouse, at nine on a Saturday night, to wake a
night-shift worker on his one evening of sleep.
[26] Aishwarya knocks, then just opens it, because she has
known him since gully cricket.
aishwarya
Jay. Lechipo.
[27] Jay, surfaced from dead sleep, disoriented, in the
dark, answering the shape at the door on pure reflex:
jay
…yes sir.
[28] Aishwarya, softening for exactly one panel:
aishwarya
Sir kaadu ra. Nenu.
jay
(blinking, placing her) …Aish.
[29] And Anudeep, in the doorway behind everyone, watching
Jay wake up into a room full of people who came to get him
- feels, for one panel, entirely outside it.
narrator (V.O.)
They all have a before.
narrator (V.O.)
Nenu ee flat lo ne modalayyanu.
[30] The question comes back to him. It has been sitting
there since panel 20.
aishwarya
Sare. Anudeep. Ippudu cheppu.
[31] And this time he answers.
anudeep
…Suraj.
ext. kopitam - day
[32] ⭐ suraj ascends. He rises off the bench - or the
floor, or wherever he is - like a man receiving an award he
always knew was his.
suraj
Choosava. Group lo andariki nenu favourite.
KICHA
Adi vaadu okkade annadu ra.
suraj
Andariki.
[33] Aishwarya, watching Suraj crown himself, gets the idea
the whole episode has been walking toward.
aishwarya
Acha. Ala aa.
aishwarya
Ayithe - nee room lo cam on pettu. Individual
ga teesukundam. Prathi okkaru separate ga.
[34] Kicha's head comes up. This is his native language and
somebody else just spoke it.
KICHA
…separate ga enduku?
aishwarya
Andaru unte evaru nijam cheppadu.
[35] (⭐ She has just described Kicha's entire method back
to him without knowing it. He says nothing. The camera was
already running.)
int. boys H.Q - day
[36] wide. The five of them - Jay now among them, wrapped
in a blanket, unimpressed - heading back to the flat to do
the stupidest and most revealing thing they have ever
agreed to.
the confessionals begin. Flat frontal, empty background,
too much headroom, words set as plain subtitle text, no
balloons. The only episode that does this.
[37] ▪️ suraj.
suraj
Kicha ne cause. Time ekkuva vaaditho ne spend
chestamu.
suraj
(beat) Kaani… naaku anipisthundi Anudeep
chala kaalam nunchi ikkade unnattu. Vaadu
rendu nelalu ne ayindi.
[38] ▪️ Same.
suraj
Wish he'd been here longer ra. Anthe.
[39] ▪️ KICHA. Sunglasses on.
KICHA
Obviously Suraj.
KICHA
Inka… (long pause) …andaru cheppali ante
cheppalenu ra.
[40] ▪️ Same. And the one crack.
KICHA
Naaku evaru close ani naaku teliyadu. Nenu
andarini chusthanu. Andulo ne unde le.
[41] ▪️ aishwarya.
aishwarya
Jay. Vaadiki chinnappudu aa forehead scar
padindi - gully cricket. Okka sari kuda daani
gurinchi maatladaledu.
aishwarya
Anduke Jay.
[42] ▪️ Same. And then, unprompted, the thing she does not
have to say:
aishwarya
Mana kotha addition - Anudeep. Vaadu
eppatinuncho unna feeling untundi ra.
aishwarya
(beat) Adi manchi feeling.
[43] ▪️ jay. Looks directly into the lens, which nobody
else does.
jay
Actually naaku andaru istam.
jay
(pause) Emo… nenu Anudeep tho time spend
cheyyali anukunta.
[44] ▪️ Same.
jay
Endukante vaadu ekkuva undadu emo. Vaaditho
matladite… noise untundi anta kaadu.
[45] ▪️ anudeep. Sitting slightly too straight. Trying to
answer a question that he thinks has a correct answer.
anudeep
Well… Suraj close. Kaani college lo antha
close kaadu.
[46] ▪️ Same.
anudeep
Ee group lo andaru close ye. Kaani antha
close kaadu. Andaru close, yet not so close
ani cheppali.
anudeep
(beat) Emo. Grateful ga undi.
[47] ▪️ Same. He sits with what he just said. He does not
take it back. He does not say the sentence - for the first
time, in a confessional built for exactly that sentence, it
does not come.
[48] (⭐ The refrain is absent from his answer, and the
absence should be felt by anyone who has read this far. He
had the perfect frame for it - alone, to camera, explaining
himself - and he chose "grateful" instead.)
[49] the tally - cut as five stills with a line drawn from
each to their answer.
Suraj to Kicha. Kicha to Suraj. Aishwarya to Jay. Jay to
Anudeep. Anudeep to Suraj.
[50] Hold on it, no dialogue. The chain does not close into
a loop - and every arrow except one points somewhere;
Anudeep is named by Jay, and mentioned by Suraj, and
mentioned by Aishwarya, and he named Suraj.
[51] The second, quieter diagram - the mentions. Anudeep is
in four of the five answers. He is the answer to one.
narrator (V.O.)
Nobody was closest to him. Everybody had
something to say about him.
[52] And nobody in the room can see the diagram. Only the
camera can. Only Kicha will.
[53] The second the camera goes off, the entire weight of
it evaporates, because they are twenty-two and it is
Saturday and something has shifted in the room's chemistry.
[54]
suraj
Naaku aakali ga undi.
KICHA
Ippude aaru emotional vishayalu cheppamu ra.
suraj
Adi ipoyindi. Ippudu aakali.
[55] And it turns, instantly, into the loudest argument of
the episode - about where to eat.
aishwarya
Biryani vaddu, ninna thinnamu.
KICHA
Ninna Shadab. Ee roju vere chotu.
jay
(blanket still on, fully awake now, fully in
it) Naaku emaina parledu.
suraj
"Emaina parledu" ante emi kaadu ra.
[56] wide. Five people leaving the flat arguing about
dinner, the confessional lights still warm, the whole
excavation of who-loves-whom completely forgotten inside
ninety seconds.
[57] Later. Very late. The flat empty, everyone gone to
their beds or their homes.
[58] Kicha alone at the table. The camera on a stack of
books. His laptop open. He plugs the camera in.
[59] He watches it back. All five. His own face flat-lit in
the screen glow as he watches the others say things they
will not remember saying.
[60] He watches Anudeep's twice.
[61] He opens his notes. He types something. We do not read
it.
[62] He looks at the footage for a long moment - the five
stills, side by side, the chain that doesn't close.
[63] ⭐ And he says it, to nobody, quietly:
KICHA
Ah. Idi chala interesting ra.
KICHA
(beat) Idi… kastha expect chesa.
[64] He closes the laptop.
wide, pull back. A dark flat. One laptop, shut. One small
red light going off. And a man sitting alone at a table
where, four hours ago, five people accidentally told the
truth and then went to get dinner.
narrator (V.O.)
He kept all five.
narrator (V.O.)
He'd known, more or less, what each of them
would say.
narrator (V.O.)
He hadn't known it would be worth keeping
until he watched it back.
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